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| Birthdate: | 1978 |
| Birthplace: | United Kingdom | |
| Gender: | Female |
| Lives and Works in: | United States | California |
| About: | |
Carolina Caycedo (b. 1978, United Kingdom) lives and works in Los Angeles. Her practice transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Caycedo has developed publicly engaged projects in Bogotá, Quezon City, Toronto, Madrid, São Paulo, Lisbon, San Juan, New York, San Francisco, Paris, México DF, Tijuana, and London. |
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| Education: | |
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M. F. A. from the University of Southern California
B. F. A. from Los Andes University, Bogotá
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Carolina Caycedo (b. 1978, United Kingdom) lives and works in Los Angeles. Her practice transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Caycedo has developed publicly engaged projects in Bogotá, Quezon City, Toronto, Madrid, São Paulo, Lisbon, San Juan, New York, San Francisco, Paris, México DF, Tijuana, and London.
Caycedo is participating in the upcoming ‘Working for the Future Past’, an exhibition featuring artists from the Latin American region, at Seoul Museum of Art. Her work has been exhibited worldwide with solo shows at Vienna Secession, Intermediae-Matadero, Madrid, Galerie du Jour agnès b., Paris, Alianza Francesa, Bogotá, Hordaland Kunstsenter, Bergen, the18th Street Arts Center, Los Angeles, and DAAD Gallery, Berlin. She has also participated in international biennials and triennials, including São Paulo (2016), Berlin (2014), Paris (2013), New Museum (2011), Havana (2009), Whitney (2006), Venice (2003), and Istanbul (2001). In recent years, she was a DAAD Artists-in-Berlin resident, and awarded with grants from Creative Capital, California Community Foundation, Los Angeles Department of Cultural Affairs, Harpo Foundation, Art Matters, Colombian Culture Ministry, Arts Council UK, and Prince Claus Fund. Caycedo is currently included in the exhibition A Universal History of Infamy at the Los Angeles County Museum of Art, part of Pacific Standard Time: LA/LA. Caycedo earned her M. F. A. from the University of Southern California, and her B. F. A. from Los Andes University, Bogotá.
| Opening: | Dec 9, 2017 18:00 Saturday |
| Artists: | Beatriz Cortez, Carmen Argote, Carolina Caycedo, Clarissa Tossin, Gala Porras-Kim, Guadalupe Rosales |
Let Our Souls Grow Deep Like Rivers
Video | 3-channel HD video, color, silent | 00:13:51 Dimension variable | 2017
Just Energy Transition
Installation | Tar-dipped fishing net, lead weights, iron rod, wool, rope | 264 × 231 cm | 2017
Serpent River Book
Other | Artist’s Book, 72 page accordion fold, offset, printed canvas hardcover, elastic band | 55.8 × 78.75 × 9 cm | 2017
The Leap
Other | Collage | 36.83 × 50 × 3.8 cm | 2017
Fuck Manhood
Painting | Marker on bank note | 15.24 × 22.86 × 3.81 cm | 2017
Damn Knot Anus
Painting | Graphite on paper | 39.37 × 50.8 × 3.81 cm | 2016
| Birthdate: | 1978 |
| Birthplace: | United Kingdom | |
| Gender: | Female |
| Lives and Works in: | United States | California |
| About: | |
Carolina Caycedo (b. 1978, United Kingdom) lives and works in Los Angeles. Her practice transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Caycedo has developed publicly engaged projects in Bogotá, Quezon City, Toronto, Madrid, São Paulo, Lisbon, San Juan, New York, San Francisco, Paris, México DF, Tijuana, and London. |
|
| Education: | |
|
M. F. A. from the University of Southern California
B. F. A. from Los Andes University, Bogotá
|
|
Carolina Caycedo (b. 1978, United Kingdom) lives and works in Los Angeles. Her practice transcends institutional spaces to work in the social realm, where she participates in movements of territorial resistance, solidarity economies, and housing as a human right. Caycedo has developed publicly engaged projects in Bogotá, Quezon City, Toronto, Madrid, São Paulo, Lisbon, San Juan, New York, San Francisco, Paris, México DF, Tijuana, and London.
Caycedo is participating in the upcoming ‘Working for the Future Past’, an exhibition featuring artists from the Latin American region, at Seoul Museum of Art. Her work has been exhibited worldwide with solo shows at Vienna Secession, Intermediae-Matadero, Madrid, Galerie du Jour agnès b., Paris, Alianza Francesa, Bogotá, Hordaland Kunstsenter, Bergen, the18th Street Arts Center, Los Angeles, and DAAD Gallery, Berlin. She has also participated in international biennials and triennials, including São Paulo (2016), Berlin (2014), Paris (2013), New Museum (2011), Havana (2009), Whitney (2006), Venice (2003), and Istanbul (2001). In recent years, she was a DAAD Artists-in-Berlin resident, and awarded with grants from Creative Capital, California Community Foundation, Los Angeles Department of Cultural Affairs, Harpo Foundation, Art Matters, Colombian Culture Ministry, Arts Council UK, and Prince Claus Fund. Caycedo is currently included in the exhibition A Universal History of Infamy at the Los Angeles County Museum of Art, part of Pacific Standard Time: LA/LA. Caycedo earned her M. F. A. from the University of Southern California, and her B. F. A. from Los Andes University, Bogotá.
| Opening: | Dec 9, 2017 18:00 Saturday |
| Artists: | Beatriz Cortez, Carmen Argote, Carolina Caycedo, Clarissa Tossin, Gala Porras-Kim, Guadalupe Rosales |
Let Our Souls Grow Deep Like Rivers
Video | 3-channel HD video, color, silent | 00:13:51 Dimension variable | 2017
Just Energy Transition
Installation | Tar-dipped fishing net, lead weights, iron rod, wool, rope | 264 × 231 cm | 2017
Serpent River Book
Other | Artist’s Book, 72 page accordion fold, offset, printed canvas hardcover, elastic band | 55.8 × 78.75 × 9 cm | 2017
The Leap
Other | Collage | 36.83 × 50 × 3.8 cm | 2017
Fuck Manhood
Painting | Marker on bank note | 15.24 × 22.86 × 3.81 cm | 2017
Damn Knot Anus
Painting | Graphite on paper | 39.37 × 50.8 × 3.81 cm | 2016
