PST/CST

Dec 9, 2017 - Jan 20, 2018 Group Exhibitions

Opening: Dec 9, 2017 18:00 Saturday
Artists: Beatriz Cortez , Carmen Argote , Carolina Caycedo , Clarissa Tossin , Gala Porras-Kim , Guadalupe Rosales
Address: BANK
Los Angeles, a Spanish name that translates as “the angels,” is the largest city in the Pacific Standard Time (PST) zone. It is sixteen hours behind China Standard Time (CST) in the winter and fifteen hours in the summer. Originally part of Mexico until 1850, the city today is home to a population of ten million. Nearly 40% were born outside the U.S., with the majority coming from Mexico, El Salvador, and China. After Donald Trump took the office last year, immigration was given an unprecedented spotlight with the tradition of multiculturalism in LA suddenly threatened. Against this backdrop, the Getty Foundation initiated Pacific Standard Time: LA/LA (PST:LA/LA), an exhibition program exploring the rich past and the vital present of Latin American and Latino art, covering 70 institutions throughout Southern California.

In celebration of this epic initiative, we invite six Los Angeles-based artists, participating in PST: LA/LA, whose families originate from Mexico, Central America, and South America to exhibit in Shanghai for the first time. Their practices unfold in the context of conflictual encounters with the Occidental academy, metropolitan culture, geographic displacement, and the often fallacious construct of Latin American or Latino identity found in their adopted home of LA. Anchored in their personal experiences as immigrants, and the collective psyche of diaspora, the artists work across a wide range of media and strategies to subvert institutional discourses, challenge consumer-capitalist logic, reframe marginalized narratives, and empower themselves through self-representation.

The multi-faceted works included in the exhibition present alternative realities integral to the landscape of Los Angeles’s contemporary art scene. While the artists remain in strong solidarity with their own communities, whether Chicanx neighborhoods in East Los Angelesor towns along Sogamoso River in Colombia, their works invite an open engagement with the audiences in China to call for what Okwui Enwezor and Olu Oguibe suggest “a critical re-evaluation of the ideas on which our mutually entangled future rests in the surging course of globalization, destabilization, and transition.”
ARTWORKS
  • Maya Blue | Clarissa Tossin

    Video | Single-channel video, color, sound | 00:17:56 | 2017

  • The Last Magnolia | Carmen Argote

    Photography | C-print on Kodak paper, mounted on aluminum | 76.2 × 114.3 cm | 2016 - 2017

  • Childhood Bedroom | Beatriz Cortez

    Video | video, color, silent | 00:04:11 | 2012 - 2017

  • The Fortune Teller Machine (Nomad edition) | Beatriz Cortez

    Installation | Found wood, linoleum, Arduino Uno, thermal printer, thermal paper, mechanical bird | 30.48 × 30.48 × 10.16 cm | 2015

  • The Fortune Teller Machine (Kaqchikel Edition) | Beatriz Cortez

    Installation | Wood, Arduino Uno, thermal printer, thermal paper, mechanical bird | 30.48 × 30.48 × 10.16 cm | 2015

  • Two joined gourds vessel | Gala Porras-Kim

    Painting | Graphite on paper | framed | 2017

  • Two joined gourds vessel (conjoined) | Gala Porras-Kim

    Painting | Graphite on paper | framed | 2017

  • Three joined gourds vessel | Gala Porras-Kim

    Painting | Graphite, flashe paint on paper | framed | 2017

  • Future artifacts after west Mexico ceramics: Los Angeles Index, 15 | Gala Porras-Kim

    Sculpture | Unglazed ceramics, GPS tracker | 13.97 × 15.24 × 15.24 cm | 2017

  • Vessel and the grave | Gala Porras-Kim

    Sculpture | Ceramic, graphite, mahogany | 33 × 41 × 22.9 cm | 2017

  • Vessel and the grave | Gala Porras-Kim

    Sculpture | Ceramic, graphite, mahogany | 36.8 × 41.9 × 22.9 cm | 2017

  • Serpent River Book | Carolina Caycedo

    Other | Artist’s Book, 72 page accordion fold, offset, printed canvas hardcover, elastic band | 55.8 × 78.75 × 9 cm | 2017

  • Just Energy Transition | Carolina Caycedo

    Installation | Tar-dipped fishing net, lead weights, iron rod, wool, rope | 264 × 231 cm | 2017

  • Damn Knot Anus | Carolina Caycedo

    Painting | Graphite on paper | 39.37 × 50.8 × 3.81 cm | 2016

  • Fuck Manhood | Carolina Caycedo

    Painting | Marker on bank note | 15.24 × 22.86 × 3.81 cm | 2017

  • The Leap | Carolina Caycedo

    Other | Collage | 36.83 × 50 × 3.8 cm | 2017

  • Let Our Souls Grow Deep Like Rivers | Carolina Caycedo

    Video | 3-channel HD video, color, silent | Dimension variable | 2017

  • Map Pointz year 2017 | Guadalupe Rosales

    Photography, Print | Color photograph | 121.92 × 182.88 cm | 2017

  • Veteranas and Rucas | Guadalupe Rosales

    Video | Single-channel video, color, silent | 00:13:59 | 2016

  • Arranging the Alex Theater | Carmen Argote

    Video | HD single-channel video on monitor, color, sound | Dimension variable | 2016

  • Alex and Pandi | Carmen Argote

    Other | 8 layers of LightJet prints collaged on board, water based lacquer | 99 × 66 × 5 cm | 2017

  • Magnolia | Carmen Argote

    Installation | Graphite on canvas, iron, monofilament | 134.62 × 63.5 × 10 cm | 2016

  • Mantas | Carmen Argote

    Installation | Acrylic on Muslin, graphite | 487.68 × 487.68 cm | 2014